Trace the Depression-era movement of populism in American art, based in the notion that high art should speak to the broad, general population, and learn how Copland’s Symphony No. 3 captured the euphoric mood of the country following victories over the Depression, fascism, and Japanese imperialism. Note also how the artistic politics of the postwar decades relegated the Symphony to temporary obscurity in an era that sought to purge music of self-expressive abandon and nationalistic spirit.