American painter Joe Bradley has distinguished himself among the artists of his generation with his mutable approach to art-making. With minimal fuss, Bradley works in series, picking up and discarding styles and oscillating between abstraction and figuration as it suits him. ?A retrospective of his work would look like a group show,? wrote dealer and collector Kenny Schachter. Bradley?s first large-scale North American exhibition supports this observation: he is shown moving from expressionistic canvases that record the detritus and spontaneity of the studio environment to subtly figurative send-ups of Minimalist painting, then to starkly primitivistic glyphs drawn in grease pencil on unprimed canvas, followed by modular aluminum sculptures paired with textual directives. 00Exhibition: Albright-Knox Art Gallery, New York, United States (24.06.-08.10.2017) / Rose Art Museum, Waltham, United States (21.10.2017-28.01.2018).