This avant-garde classic, made in collaboration with husband Alexander Hammid, is an important piece of feminist filmmaking. Of the film, with its subjective camera movement, jump cuts, and visual repetition, Deren wrote, “[it] is concerned with the inner realities of the individual and the way in which the subconscious will develop, interpret and elaborate an apparently simple and causal occurrence into a critical emotional experience.” Here in its original version, it is presented intentionally silent.